A war can erase a skyline overnight. Roofs collapse, streets become impassable, and landmarks that once oriented everyday life are reduced to rubble. The most profound loss often remains invisible. Buildings can be surveyed, photographed, scanned, and, eventually, rebuilt. The knowledge that produced them is far more fragile. It survives in the hands of stonemasons who understand how a limestone vault carries its load, carpenters who know how timber joints respond to seasonal movement, plasterers who mix lime by memory rather than measurement, and residents whose everyday rituals keep these buildings in use. When these people are displaced, killed, or forced to abandon their trades, reconstruction inherits a problem that no drawing or digital model can solve. Stone can always be quarried again. Recovering the knowledge to shape it takes much longer.

The project involved the transformation of an industrial site in the small town of Limoux in the Aude department, and at the heart of a community of municipalities with 30,000 inhabitants. It is a threshold town between urban and rural, a situation that exemplifies the future of regions that have been left behind by major economic trends.

Shenzhen Natural History Museum is one of the world's largest new natural history museums and the largest in South China.

Casa en el Aire is a single-family home located in San Mateo de Alajuela, Costa Rica, on a steeply sloping site with dominant landscape views. Its primary strategy is to address housing through minimal intrusion: rather than resting heavily on the ground, the house is elevated on stilts to reduce earthwork, allow ecological continuity beneath the structure, maintain natural runoff, and prevent flooding, making a complex site habitable without sacrificing accessibility or comfort for its elderly owners.